Bach Bibliography Search Result

Series : ^MReview$
Max number of results shown : 300
Output sorted : serially (table)

Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Selbiger, Liselotte	Bach on the Piano.	MReview	11	1	1950	98-108
	2.	Emery, Walter	A Neglected Bach Manuscript.	MReview	11	3	Aug 1950	169-174
	3.	MacKerness, E. D.	Bach's F Major Violin Sonata.	MReview	11	3	1950	175-179
	4.	Redlich, Hans F.	Two Music Cogresses in Lüneburg: 15th July - 22nd July.	MReview	11	4	1950	307-308
	5.	Beer, R.	Ornaments in old Keyboard Music.	MReview	13	1	1952	3-13
	6.	Barford, Philip T.	The Idea of Fugue.	MReview	15	3	1954	173-181
	7.	Dürr, Alfred	Bach's Magnificat.	MReview	15	3	1954	182-190
	8.	Briskier, Arthur	Piano Transcriptions of J. S. Bach.	MReview	15	3	1954	191-202
	9.	Miller, Hugh Milton	Progression in two-part Counterpoint: A Method of Analysis.	MReview	16	4	1955	289-299
	10.	Satterfield, John	Dissonance and emotional Content in the Bach Two-Part Inventions.	MReview	17	4	1956	273-281
	11.	Satterfield, John	The emotional Content of the Bach Two-Part Inventions II.	MReview	19	4	1958	173-179
	12.	Bullivant, Roger	Word-Painting and Chromaticism in the Music of J. S. Bach.	MReview	20	3	1959	185-216
	13.	Tischler, Hans	Hindemith's Ludus Tonalis and Bach's Well-Tempered Clavier - A Comparison.	MReview	20	3	1959	217-227
	14.	Barford, Philip T.	The Concept of Bach.	MReview	23	4	1962	261-270
	15.	Eickhoff, Henry John	Bach's Toccata-Ritornello Forms.	MReview	27	1	Feb 1966	1-15
	16.	Buelow, George J.	The 'Loci Topici' and Affect in late baroque Music: Heinichen's practical Demonstration.	MReview	27	3	Aug 1966	161-176
	17.	Babitz, Sol	'Concerning the Length of Time that Every Note Must be Held.'	MReview	28	1	1967	21-37
	18.	Eickhoff, Henry John	Bach's Chorale-Ritornello Forms.	MReview	28	4	1967	257-276
	19.	Spivakovsky, Tossy	Polyphony in Bach's Works for solo Violin.	MReview	28	4	1967	277-288
	20.	Neumann, Frederick	Notes on 'Melodic' and 'Harmonic' Ornaments.	MReview	29	4	1968	249-256
	21.	Sargent, George	Eighteenth-century tuning Directions: precise intervallic Determination.	MReview	30	1	1969	27-34
	22.	Klenz, William	Per aspera ad astra or The stairway to Jupiter.	MReview	30	3	1969	169-210
	23.	Vassar, James B.	The Bach two-part Inventions: A Question of Authorship.	MReview	33	1	1972	14-21
	24.	Curti, Martha	J. S. Bach's Chaconne in D minor: A Study in Coherence and Contrast.	MReview	37	4	1976	249-265
	25.	Williams, Peter F.	Why do we need a new book on Bach's Organ Music?	MReview	38	4	1977	249-257
	26.	Bell, A. Craig	The great Mr. Handel.	MReview	39	1	1978	22-30
	27.	Schenkman, Walter	Mattheson's 'Forty-Eight' and their Commentaries.	MReview	42	1	1981	9-21
	28.	Gillingham, Bryan	Social and musical matters pertaining to J.C. Bach's third set of keyboard concertos.	MReview	42	3-4	1981	225-237
	29.	Picken, Laurence Ernest Rowland	Bach Quotations from the Eighteenth Century.	MReview	5	2	1944	83-95
	30.	Lam, Basil	The first Kyrie of Bach's B minor Mass.	MReview	50	1	1989	45-52
	31.	Bryan, Michael	The book of changes and music.	MReview	51	1	1990	1-10
	32.	Komlós, Katalin	Veränderte Reprise: Aspects of an idea.	MReview	51	4	Nov 1990	262-267
	33.	Poulin, Pamela L.	Niedt's Musicalische Handleitung, Part I and Bach's 'Vorschriften und Grundsätze...': A Comparison.	MReview	52	3	Aug 1991	171-189
	34.	Wollenberg, Susan	Schumann's Piano Quintet in E flat: The Bach Legacy.	MReview	52	4	Nov 1991	299-305
	35.	Nettheim, Nigel	The Derivation of Chopin's fourth 'Ballade' from Bach and Beethoven.	MReview	54	2	May 1993	95-111
	36.	Carruthers, Glen Blaine	William Tritt as teacher.	MReview	55	1	Feb 1994	37-51
	37.	Allis, Michael	Another '48': Stanford and 'historic sensibility'.	MReview	55	2	May 1994	119-137
	38.	Grout, Donald Jay	Johann Sebastian Bach: An Appreciation.	MReview	6	2	1945	131-137
	39.	MacKerness, E. D.	Bach's Sinfonie-Satz für Violine Concertirende.	MReview	9	3	Aug 1948	161-165